Music Matters

IPods now have video, games, audio books and podcasts. Will iPods always be about the music?
Who knows? But it’s hard to imagine that music is not the epicenter of the iPod, for a long, long, long, long, long time.  I was very lucky to grow up in a time when music really mattered.  It wasn’t just something in the background; it really mattered to a generation of kids growing up. It really changed the world. I think that music faded in importance for a while, and the iPod has helped to bring music back into people’s lives in a really meaningful way. Music is so deep within all of us, but it’s easy to go for a day or a week or a month or a year without really listening to music. And the iPod has changed that for tens of millions of people, and that makes me really happy, because I think music is good for the soul. – Steve Jobs, Newsweek 2003

Music has taken a backseat in today’s culture.  Some would say it’s been relegated to the trunk rather than the backseat.  The Industry has so contained it and controlled it, that it has become safe, predictable, and gives you a shadow of the emotional impact it used to.  Now I’m not one to keep harkening back to the “glory days” when everything was better, but these are not the days of a musical renaissance.  We need them now more than ever!  Music can do things no other art form can: penetrate a place in people that words can’t do alone.  This is true for all genres and stripes of music:  Rock, Pop, Country, Gospel, etc., etc., etc.

It’s interesting how computers and computer companies get all the buzz in society today.  The quote from Steve Jobs above is so ironic, because he is probably the biggest “rock star” in the world today.  What used to define rock musicians – cutting edge, mystery, impact – now are best seen in a corporate CEO.  That’s weird.  But, as you can see from his quote, he understands what makes culture click and he’s used some of the elements of the power of music to thrust Apple’s products into the cultural consciousness.

The only problem with this (and believe me I’m into Macs:) is that we’re now celebrating the method of delivery instead of what’s being delivered.  That’s like being so excited about the envelope but just ho-hum about the check inside it.  How crazy would that be?  Instead of focusing intently on the quality and power of the artists, songs, musicianship, we’re focused on the type of computer, or iPhone, or iTunes, or streaming.  These things are fun to talk about if you’re interested in computers, but they are not as important as the art being delivered.  That’s the product that can change hearts and change the world.

So, may there be a new renaissance: a renaissance of music, a renaissance of making the important things important again.

 (And it goes not just for music, but, as I wrote last week, the American Church is doing the same things by stressing production and venue over the content of services and the spiritual experiences of people.  How can the setting and the method of delivery be more important than what you’re delivering?)

Hate to Stop the Music

I know I run the risk of sounding like Madonna (thanks, Norah!) Rihanna with a title like this (I think her’s was “Please Don’t Stop the Music”).  But I’m forging ahead anyway – you can’t copyright a title :).

A couple weeks ago I was coming into work and, like a lot of New Yorkers, I had my earphones in taking in some tunes.  (At a minimum, most New Yorkers are listening to an iPod and reading a book.  There are many variations on this.)  As I got in the elevator I noticed the woman beside me was taking out her earphones as I was.  There was actually a sense of disappointment in the air; like someone had injected a little reality.  She laughed a little when I remarked at how lame it was to stop the music – especially when it’s good.

I saw a commercial lately that illustrated just this.  The ad shows a young guy with tattoos and earrings rocking out to some headbanger tunes right up until he sits at his desk, removes the earphones, and the image changes to him as conservative businessman in a suit.

Something about music takes us out of reality and into an amazing universe created by the artist.  I believe this is a good thing.

Last summer Olivia and I drove to New York City from Nashville several times (15-16 hours).  The last time we made the trip, we bought the Sara Bareilles album, Little Voice, and played it relentlessly: there and back and while we were driving around the City.  I can’t tell you how crazy it is for one of those songs to come up on shuffle now and be taken back exactly to how I felt on that trip.  If I close my eyes I am in the car driving over the Queensboro bridge in our Honda Fit with the windows rolled down.

How does music do that?  More importantly, how can I make music that affects people like that?

Does music do this for you?